Siti Faizah Hidayati (Pen-name Faiza Mardzoeki ) is a playwright, theater producer and director based in Yogyakarta, Indonesia.

As a feminist and cultural activist, she actively promotes gender equality issues, women’s liberation, human rights and other social issues through creative, cultural and artistic interventions. She also has written articles published in The Jakarta Post daily newspaper and other media.

Since 2003, she has produced 9 plays as well as two concerts and been the initiator executive director of two major arts festivals.

As well as producing theatre she had written or adapted 8 plays, including her critically acclaimed Silent Song of the Genjer Flowers, which has been performed in Jakarta, Indonesia and screened in venues in the United States, Australia and Malaysia. She also directed Silent Song of the Genjer Flowers .

She adapted to the Indonesian context two classic works by Henrik Ibsen, Doll’s House (as Rumah Bhoneka, published as Nora) and Enemy of the People (as Subversif!).

All of her plays have been performed in Jakarta with some performances in other Indonesian cities such as Banda Aceh, Bandung, Palangkaraya, and Yogyakarta. One play, Nyai Ontosoroh, was declared the iconic production of the year by the major daily newspaper, Kompas. Nyai Ontosoroh was her epic adaptation for the stage of the late Pramoedya Ananta Toer’s epic novel, This Earth of Mankind (Bumi Manusia).

She took her production of They Call Me Nyai Ontosoroh, which she also wrote, to Amsterdam, The Hague, and Antwerp.

Three of her plays have been published as books.

She has participated and spoke at feminist and theatre related events outside Indonesia including in the United States, the Netherlands, France, Germany, Australia, Norway, Sweden, Malaysia, Thailand, the Philippines, and Singapore. Her play Silent Song of the Genjer Flowers has been scheduled for a dramatic reading at the Women’s International Playwright Conference in Santiago, Chile, October, 2018.



Theatre Productions

  1. 2016 – Kisah-Kisah Perempuan – Musicalised Monologue: Producer, Director, Playwright (Women’s Tales).
    Jakarta, Indonesia.Faiza wrote and directed a short dramatic monologue around an agenda on women’s rights issues. This was commissioned by the United Nations-UN Women
  2. 2015 – Subversif adaption of An Enemy of The People by Henrik Ibsen. Theatre production: producer and playwright
    2015 Jakarta, Indonesia
    2014 Palangkaraya, IndonesiaThis adaptation contextualised Ibsen’s play to contemporary Indonesia and was performed in the national capital, Jakarta, as well as in Palangkaraya, a city on the major island of Kalimantan. This play has now been published in book form.
  3. 2014 – Nyanyi Sunyi Kembang-Kembang Genjer – Play : Producer, Director, Playwright (Silent Song of the Genjer Flowers)
    Jakarta, IndonesiaThis is an original play by Faiza Mardzoeki; also produced and directed by Faiza. It is a play focusing on the experiences of five elderly women survivors of 14 years of political imprisonment and decades of misogynist political black propaganda, before, during and after imprisonment. It also deals with how their experience is seen by the contemporary generation. It is based on two years of research and interviews with scores of survivors.

    It has been performed in Jakarta and screened in Melbourne, Los Angeles, Seattle, Singapore, and Kuala Lumpur and the focus of presentations in several other cities.
    It has now been published as a book.

  4. 2010 – Rumah Boneka adaptation of Henrik Ibsen’s ‘A Doll’s House’: Theatre production: Producer and Playwright
    Jakarta, Indonesia
    2012 Bandung, Jakarta
    2013 Banda Aceh, IndonesiaThis play has ben adapted to the contemporary Indonesian context. It has been performed in Jakarta, Bandung in West Java and Banda Aceh, the capital of the province of Aceh.

    The play has now been published as a book.

  5. 2010 – They Call me Nyai Ontosoroh adaptation of Pramoedya Ananta Toer’s This Earth of Mankind: theater project – Playwright and Producer. (Abridged version of Nyai Ontosoroh from 2007.)
    Jakarta, Indonesia
    Amsterdam, The Netherlands
    Den Hague, the Netherlands
    Antwerp, BelgiumThis play is an abridged version of the 2007 adaptation by Faiza Mardzoeki of Pramoedya Ananta Toer’s This Earth of Mankind (Bumi Manusia). It was abridged to be taken to the Netherlands and Belgium.

    Before departure to Europe, it was also performed at Erasmus House Theatre in Jakarta to a standing ovation.

  6. 2010 – Surat-Surat Kartini: sourced from the letters of Kartini: Play: Producer
    (Kartini’s Letters)
    Jakarta, IndonesiaThis was a monologue, with music and dance, adapted from excerpts of the letters of Indonesia’s first feminist writer, Kartini, who lived at the turn of the 20th century.
  7. 2008 – Women Seize the Night: Theatre production: Producer and Playwright
    Jakarta, IndonesiaThis was a series of three short plays, each with a single female character, played by prominent female actors and personalities. Faiza was a co-writer of these three stories. They dealt with the lives of a housewife, a prostitute and a politician.
  8. 2007 – Nyai Ontosoroh (The Concubine Ontosoroh¸ adaptation of Pramoedya Ananta Toer’s This Earth of Mankind: Theatre Production: Producer and Playwright
    Jakarta, Indonesia(Versions of this play were performed in various Indonesian cities in the same year by local theatre groups.)

    This is the full length adaptation of the late Pramoedya Ananta Toer’s classic best-selling novel, This Earth of Mankind (Bumi Manusia) set in colonial Indonesia (then the Netherlands Indies) depicting the dramatic contradictions of colonialism, and how it oppressed both Indonesians in general and women in particular. This adaptation centres around the story of a young woman – Sanikem,, later known as Nayi Ontorosoh, sold by her parents as a concubine to a Dutch plantation manager and who transforms from victim to strong protagonist. Nyai was the term used to refer to concubines in that period.

    This play was performed to full houses in the main theatre (capacity 800) in the Jakarta Arts Council complex in Jakarta. The major daily newspaper, Kompas, declared it the iconic play of the year.

  9. 2002 – Perempuan di Titik Nol, Adaptation of Nawal al-Sadawi’s Women at Point Zero: Theatre production: Producer
    Jakarta, IndonesiaThis was Faiza’s first theatrical production and the start of her endeavors to bring issues of women’s rights and situation to public attention via theatre. It performed to packed houses with large numbers unable to get tickets. This production also set the model for Faiza’s future productions which combined professional actor auditions, selection of high profile television and film actors, and high level direction standards with the use of focused publicity, involving public forums and social media promotion.


  • Stage to Screen Public Showings

2017 Nyanyi Sunyi Kembang-Kembang Genjer

  1. Los Angeles, University of California Los Angeles, USA
  2. University of Washington Seattle, USA
  3. University of Melbourne, Australia
  4. Kualu Lumpur, Malaysia
  5. Singapore
  6. Yogyakarta
  7. Jakarta



2017 – Konser Perempuan Untuk Kemanusiaan – Concert: Producer
(Women’s Concert for Humanity.)
Jakarta, Indonesia

In December 2017, she produced the Concert of Women for Humanity, a musical concert which she initiated with the Dialita Choir, featuring songs written by women while they were in prisoners. The concert was a collaboration between Dialita and famous musicians in Indonesia, among others Bonita, Kartika Jahja, Junior Soemantri et al. The concert received financial support from the Tifa Foundation, the Purple Institute and the Herb Feith Foundation

2003 – Peace Concert for Aceh: Musical Concert: producer
Jakarta, Indonesia


Arts Festivals

2010 Festival April – Women’s Arts Festival. (Photography, Theatre, Dance, Music, Film, Speakers.) Festival Initiator and Director.
Jakarta Arts Centre, Indonesia

2003 Festival April – Women’s Arts Festival. (Painting, Sculpture, Writing, Films, Dance, Music, Fashion, Speakers.) Festival Co-Initiator and Co-Director.
Jakarta Arts Centre, Indonesia.


Faiza Mardzoeki- Published Plays


an adaptation of A Doll’s House by Hendrik Ibsen, Djaman Baroe, Indonesia

an adaptation of An Enemy of the People by Hendrik Ibsen, Djaman Baroe, Indonesia.

Nyanyi Sunyi Kembang-Kembang Genjer, (Ultimus Publisher)
an original play; Ultimus, Indonesia.




  1. “Being Indonesian: Not by Memorizing Pancasila”, in The Jakarta Post, May, 17 2017
  2. “Women Conitinue Local, Global Stuggle for Change”, in The Jakarta Post, March 4, 2017
  3. “Bittersweet Life in Jakarta’ in The Jakarta Post, November 5, 2016
  4. “Indonesian Women : Their Choices, Destiny” , in The Jakarta Post, August 16, 2016
  5. “Manipulation of The Kartini Symbol Must End “ , in The Jakarta Post, April 21, 2016
  6. “Tan Malaka: Protecting Freedom of Expression”, in The Jakarta Post, April 2, 2016
  7. “Room: Inside the Head of the Entrapped”, A film review ‘Room” in online Feminist site The Magdalene
  8. “Censorship in Paradise”, in The Jakarta Post, November 7, 2015
  9. “Jakarta Theater Festival Enters Its 40th Year, but Is That Enough?”, in The Jakarta Globe, December 2012
  10. “Piece of Mind: In The Story of The Gerwani Women, Thruth and False Memory”, in The Jakarta Globe October 4, 2012
  11. “Polygamy is a form of violence against women”, in The Jakarta Post, July 2003
  12. “INDONESIA: Fight broadens against anti-women laws “, with Max Lane, in Green Left Weekly, 15 March 2006
  13. “Govt ignores Indonesian debt slaves’ plight “, Opinion, in The Jakarta Post– August 24, 2002
  14. “Wajah TKI kita, budak yang tergadaikan, Sinar Harapan, 2002 (about Indonesian Migrant Workers in Indonesian language)